Manie-Manie
Labyrinth Tales (script)

by
Rin Taro, Yoshiaki Kawajiri, and Katsuhiro Otomo


Translated by Daisuke Enomoto, Tsune Hirasawa,
and Neil Nadelman

Final English Composition by Neil Nadelman
(c) 1987 Kadokawa Productions



SEQUENCE 1:


IN A CAVERN, A DECAYING CIRCUS TENT. WIND. DARKNESS.
A VOICE CALLS...


SACHI
Chichiro...?
Chichiro.... Where are you?
Chichiro... Chichiro...


CURTAIN OPENS. THE PLAY BEGINS.


Title
LABYRINTH * LABYRINTOS
Directed by Rin Taro

SACHI DANCES. A CAT RUNS OFF INTO THE HOUSE.
THE KITCHEN. SACHI'S MOTHER IS BUSY CHOPPING.
SACHI SITS UNDER THE COUNTER, PLAYING WITH THE LIPSTICK

MOTHER
Is Chichiro a name your father gave him?

SACHI
Chichirone's the name he gave himself...

MOTHER
I see... What a lovely name.


SACHI RUNS OFF TO SEARCH FOR "CHICHIRO".
AS SHE PAUSES IN FRONT OF THE CLOCK...


SACHI
Aaaaahhh! There you are!


INSIDE THE CLOCK, THE CAT COWERS BEHIND THE PENDULUM.
SACHI GIGGLES.


SACHI
Now it's Sachi's turn...


WITH EACH RING OF THE CLOCK, THE CAT MEOWS...


SACHI
Not yet...


RING... MEOW...


SACHI
Not yet...


RING... MEOW... MEOW...


SACHI
All right...


CHICHIRO SEARCHES FOR SACHI. THE TOYS COME TO LIFE AROUND
HIM, STOPPING ONLY WHEN THE TOY PLANE KNOCKS OVER THE
MIRROR. CHICHIRO APPROACHES THE MIRROR, AND SEES SACHI
WITHIN. SHE GIGGLES AND FLOATS AWAY...


SACHI
Come on, Chichirone...
Come on! Chichirone!


CHICHIRONE IS SUCKED INTO THE MIRROR. THE TOY CLOWN HAS
DISAPPEARED. SACHI'S MOTHER IS HEARD.


MOTHER
Sachi... Sachi...


INSIDE THE LABYRINTH, SACHI AND CHICHIRO WANDER ABOUT,
PURSUING GUIDO THE CLOWN. HE EVENTUALLY LEADS THEM TO THE
DECAYING CIRCUS TENT SEEN EARLIER. THEY PAUSE IN FRONT OF
THE FLAP; SACHI LOOKS UP AT HIM QUESTIONINGLY. HE GESTURES
TO THEM TO GO IN.


TITLE CARD
All right you two. In you go...


THEY ENTER.


SEQUENCE TWO:


TITLE
THE RUNNING MAN
by Yoshiaki Kawajiri


A MAN AWAKES FROM A DREAM... OF HIS OWN DEATH.
SCENE CUTS TO DEATH CIRCUS, THE "UNFORGIVING RACE".
THE MAN DRIVES HIS "MACHINE"; CHATTER FROM THE RADIO.


RADIO
Engine output: Check
Oil pressure: Check
Heart rate: Increasing
Perspiration output: Increasing
Brain-wave patterns: Normal

BOB STONE (The Reporter)
I'd been sent there by the magazine
to do a story on Zack Hugh...
On him, and the unforgiving race which had
claimed so many mens' lives...
Death Circus.
For ten years, one man had reigned
as it's champion... Zack Hugh.
Many admired him for the control he
had over the machine he drove...
Total. Absolute. Without any fear of death.
Zack the Reaper... The Phoenix...
He'd been given many such names. But...


BACK IN THE "MACHINE".


RADIO
Ground clearance: Unstable.
Heart rate and perspiration output: Increasing
We're reading a loss in retinal response.

BOB STONE
The races had taken their toll on the man.
The constant stress was too much;
It was destroying him, in both body and mind...


BOB STONE FLASHES BACK TO WHEN HE SAW ZACK HUGH, ALONE,
IN HIS MACHINE. THE POWER SHOWS ITSELF...
BACK IN THE RACE...


RADIO
He's past his limit!
That machine's shaking him to pieces!
(NOTE: Literally "The machine shock's gotten too much for him!")


BACK TO THE FLASHBACK, AND THEN TO THE RACE.
THE POWER IS MAKING IT'S PRESENCE FELT.


RADIO
It's no good. Pull him out!


THE "ABSTENTION" NOTICE FLASHES. ZACK IGNORES IT.


RADIO
Chief, he isn't slowing down!

CHIEF
What?!


THE RACE BUILDS TO IT'S CLIMAX. AS THE LAST MACHINE
IS DESTROYED, ZACK CROSSES THE LINE. THE CROWD IS SILENT.


CHIEF
What in God's name...?!

PIT MAN
Chief!

CHIEF (To Stone)
Come on!


THEY STARE SLACKJAWED AT THE READOUT:
"LIFE FUNTIONS TERMINATED"


BOB STONE
He crossed the finish line,
and the machine's engines revved up for more.
The race was over,
but the running man was still running...
(NOTE: Literally "The machine crossed the goal line,
and it's engines revved up again. On he ran...")


ZACK HUGH RACES HIS FINAL OPPONENT... HIMSELF.
AS HE PASSES THE PHANTOM RACER, THE MACHINE FINALLY
EXPLODES.


BOB STONE
Zack Hugh... A champion among champions.
To this day, his death remains shrouded in mystery.


SEQUENCE THREE:

A HOVERCRAFT RACES THROUGH A JUNGLE...
DISSOLVE TO TSUTOMU SUGIOKA, WALKING DOWN A CORRIDOR;
HE THINKS ABOUT THE CONVERSATION HE'S JUST HAD WITH
HIS BOSS, MARUYAMA.


MARUYAMA (VO)
You're aware of the coup d'etat which occured
five days ago in the Aloana Republic, are you not?

SUGIOKA (VO)
Yes sir!

MARUYAMA (VO)
You're, of course, also aware of our company's
special project #444 we have under construction
along that country's Piroru River?

SUGIOKA (VO)
Yes sir!


THE SCENE RETURNS TO THE JUNGLES OF ALOANA.


MARUYAMA (VO)
That project will give our company access to
the Aloana market... and to their resources.
However, three days ago, the new government there
unilaterally cancelled our contract.
You understand what this means?

SUGIOKA (VO)
Yes sir!

MARUYAMA (VO)
Stop saying "yes sir" all the time!
CANCELLED! The project's been cancelled!
They've given us an order to cease construction!


TITLE
THE ORDER TO CEASE CONSTRUCTION
by Katsuhiro Otomo


THE HOVERCRAFT TEARS THROUGH THE JUNGLE, AND WE GET OUR
FIRST GOOD LOOK AT SUGIOKA. HE CUTS A RIDICULOUS FIGURE
IN HIS SAFARI GEAR; HE'S CLEARLY OUT OF HIS ELEMENT HERE.
HE LOOKS STRANGELY AT A CROSS-WALK SIGN POKING OUT OF THE
WATER. THE TRAFFIC SIGNAL ON IT READS RED AS THE ROAR PAST
IT.


DRIVER A
Uh-oh! Looks like we ran a red light!


DRIVER B, WHO'S STEERING THE CRAFT, THINKS THE JOKE'S
HIRARIOUS, AND LAUGHS MANICALLY. SUGIOKA GLARES AT THEM
AND THEN TURNS BACK TO THE JUNGLE. HE RECALLS MORE OF HIS
CONVERSATION WITH MARUYAMA AS THEY APPROACH PROJECT #444.


MARUYAMA (VO)
According to their orders, we must cease construction
of the project immediately. Further, the contract fee
is to be repaid over a period of 20 years.

SUGIOKA (VO)
20 years, sir?!

MARUYAMA (VO)
Project 444 was a difficult operation from the outset.
The land they granted to us was a swamp surrounded by
headlands.
Come rainy season, the whole area becomes a virtual river.
When the waters recede, the plants grow like monsters.
It's an insane, godforsaken place that just turns back
into jungle within half a year.


THE HOVERCRAFT ENTERS THE CITY, OVERGROWN AND DECAYING.
IT'S OBVIOUS THAT MARUYAMA WAS BEING KIND IN HIS ANALYSIS OF
THE AREA.


SUGIOKA (VO)
I... I see...

MARUYAMA (VO)
The start-up costs on #444 were enormous;
it still consumes vast amounts of our resources.
We have to shut it down before we lose any more money!

SUGIOKA (VO)
Why don't you just contact the staff...?

MARUYAMA (VO)
I already ordered the supervisor there to shut the project down!

SUGIOKA (VO)
The I don't see what...

MARUYAMA (VO)
The supervisor disappeared without a trace
shortly after I gave the order.

SUGIOKA (VO)
Disappeared, sir?

MARUYAMA (VO)
Due to its location, it was decided that robots
would comprise the main workforce.
The only human there is that supervisor.

SUGIOKA (VO)
So...

MARUYAMA (VO)
At this moment, those stupid robots are throwing
valuable resources into the mud!
I'm sending you out there to find that supervisor
and oversee the shut-down of project 444.
I'm COUNTING on you, Sugioka.

SUGIOKA (VO)
Yes, sir!


AS THE HOVERCRAFT PULLS IN, THEY SEE A FIGURE STANDING BY
THE WATER-SIDE, WAITING TO GREET THEM.


SUGIOKA
What the hell...?


IT'S ONE OF THE ROBOTS, MADE UP TO LOOK LIKE A CONSTRUCTION
WORKER, COMPLETE WITH A HELMET WHICH READS "ANZEN DAI-ICHI"
("SAFETY-FIRST"). IT TRAILS A LONG UMBILICAL CABLE.

THE HOVERCRAFT ROARS TO A STOP, AND SUGIOKA JUMPS DOWN.


ROBOT
You are the supervisor?


SUGIOKA IGNORES THE QUESTION, INSTEAD GAPING AT THE HUGE,
MISSHAPEN CITY WHICH RISES AROUND HIM.


SUGIOKA
It's worse than he told me...

ROBOT
Please give me your name and employee identification number.


SUGIOKA'S LUGGAGE IS THROWN OFF THE HOVERCRAFT AS IT'S
ENGINES REV UP TO LEAVE.


SUGIOKA
H-hey! What are you doing?!

DRIVER A
We're outta here! Give us a call when you're finished and
we'll come back and pick you up!

SUGIOKA
You're leaving...? Hey, WAIT!

DRIVER B
Take care of yourself!

SUGIOKA (AS THE HOVERCRAFT DRIVES OFF)
Hey! Hold it! Come back here!
What's the big hurry, anyway?


HE BEGINS TO PUT HIS LUGGAGE BACK INTO HIS BAG.


SUGIOKA
Jeez, if they've broken my camera or anything,
it'll be coming out of their paychecks!
For Pete's sake, you just can't figure these low-lifes.

ROBOT
I must have your name and employee identification number
for confirmation. Yes.

SUGIOKA
Oh, what was his name...? That supervisor?
Do you know where he's gone?

ROBOT
Your failure to give me your name and ID number leads me
to conclude that you are not the supervisor.


SUGIOKA BEGINS TO TOSS HIS BAGS AT THE ROBOT TO CARRY.
THE ROBOT CATCHES THEM SHAKILY AND CONTINUES TO TALK.


ROBOT
If you are not the supervisor, then you are unauthorized
personnel and have no business being here...

SUGIOKA (IGNORING THE ROBOT)
Anyway, just take me to my quarters and you can tell me
what you know in detail.

ROBOT
Any person who is classified as a threat to construction
will be removed so that construction may continue. Yes.


THE ROBOT RAISES HIS ARM TOWARDS SUGIOKA, WHO WALKS
NON-CHALANTLY AHEAD OF HIM. THE ARM BEGINS TO SPARK
MENACINGLY...


SUGIOKA
Tsutomu Sugioka. ID number CX-88.

ROBOT
Check completed, yes!

SUGIOKA
Hmpf!

ROBOT
Welcome, Supervisor, from the distant land.

SUGIOKA
Yeah, yeah. Glad to meet you.

ROBOT
I am number one here at Project 444...


FADE OUT.
FADE IN ON SUGIOKA'S QUARTERS. THE ROBOT CONTINUES TO
CHATTER AWAY WHILE SUGIOKA VIEWS THE CONSTRUCTION GOING ON
FAR BELOW.


ROBOT
...and all orders relating to construction here at Project
444 are transmitted through me, via radio.

SUGIOKA (IGNORING HIM)
Cripes, they're really buzzing away down there.

ROBOT
This procedure is very important, Supervisor.
Failure to follow this system may result in mix-ups. Yes.

SUGIOKA
Fine, we'll use the system to give everyone here the new orders.
The first one I want you to transmit will be the order to cease construct...


NOTICES THE ROBOT LEAVING.


SUGIOKA
Hey! Hold it!
I haven't finished giving you my orders yet.


THE DOOR SHUTS, LOCKING HIM IN. HE POUNDS ON THE DOOR,
TRYING TO GET THE ROBOT'S ATTENTION.


SUGIOKA
Hey! HEY!
What's the meaning of this?! Hey!

ROBOT
Supervisor must be tired after his long journey. Yes.
I will now return to my duties.

SUGIOKA
So why am I locked in? HEY!

ROBOT
There are dangerous insects in the area.
It is for your safety that...

SUGIOKA
God dammit, open this door! Hey!
Don't you understand?!
Open up! Come on!


WHILE SUGIOKA RANTS IN THE BACKGROUND, THE ROBOT
CONTINUES TO TALK.


ROBOT
Supervisor's schedule for tomorrow
is posted on the bulletin board.
It is to be followed precisely.

SUGIOKA
Come back here! Don't you hear me?
I'm telling you to come back and open this door!
Open it. God damn it...
OPEN THIS DOOR!!!!


AS THE CAMERA PULLS BACK FROM THE SCENE, A BLACKBOARD COMES
INTO VIEW. ON IT IS WRITTEN THE FOLLOWING MESSAGE:


BLACKBOARD
Help! This crazy robot's trying to kill me!
To my wife, Sachiko. I'm done for, but you must
know that I love you. It's strange, but all I can
think about now is what my mother used to say to me
when I was young:
"Study hard!" She'd say. "Study hard, and you'll grow
up to be a fine man...."


THE WRITING TRAILS OFF INTO A CRAZY SCRAWL...


THE NEXT DAY, SUGIOKA IS GREETED WITH BREAKFAST BY THE
ROBOT, WHO RECITES THE DAY'S SCHEDULE AS HE EATS.


ROBOT
Breakfast will last until half past the hour.
From a quarter of until 10:25 will be the first on-site inspection.
At 10:30, in the the resource room, we will...


THE ROBOT TAKES SUGIOKA OUT FOR HIS ON-SITE INSPECTION.
THE PLACE IS ALIVE WITH ACTIVITY, AND THE ROBOTS ARE INDEED
THROWING VALUABLE RESOURCES INTO THE MUD (MOST OF WHICH
SEEMS TO LANDING ON SUGIOKA).
THE ROBOT CONDUCTS THE TOUR.


ROBOT
There, Supervisor. Section eight.
This section is furthest behind in construction.


AS THE TOUR CONTINUES, SUGIOKA NOTICES A ROBOT RATTLING AND
SPARKING NEARBY.


SUGIOKA
Hey! What's with that robot over there?

ROBOT
Overheat. Due to the intense pace of construction here,
it's circuits are malfunctioning.

SUGIOKA
WHAT?! Do you know how much that thing costs?
Airplanes are less expensive than those things!

ROBOT
Due to this section's being so far behind schedule,
I have ordered all units here to work at peak capacity. Yes.
My orders are to have Project 444 ready by the due date.
Some losses are to be expected. Yes.

SUGIOKA
Listen to me! There IS NO DUE DATE anymore!
And you're supposed to be conserving our resources, not...


THE ROBOT TURNS TOWARD SUGIOKA, RAISING IT'S ARMS IN A
THREATENING GESTURE AND RATTLING EVEN MORE.


ROBOT
Due date is only one month away. Yes.
To make the due date, the robots must work at peak capacity. YES.

SUGIOKA (BACKING AWAY)
H-hey, what gives?
Don't get sore at me...


THE OVERHEATING ROBOT EXPLODES. THE LEADER ROBOT TURNS AND
BEGINS WALKING DOWN THE CATWALK.


ROBOT
We will now inspect section ten.
Follow me, Supervisor...

SUGIOKA
W-wait for me!


NEXT DAY, AT BREAKFAST...


ROBOT
Breakfast will last until half past the hour. Yes.
From a quarter of until 10:25 will be the first on-site inspection.
At 10:30, in the the resource room, will be a report on
last month's work, which you and I will...


SUGIOKA, LISTENS, CHEWING HIS FOOD.
HE BITES SOMETHING HARD.


SUGIOKA
What the hell...


HE SPITS A HEX NUT OUT OF HIS MOUTH.
THE CONSTRUCTION PROCEEDS, AND SUGIOKA IS BEGINNING
TO LOSE THE LAST OF HIS PATIENCE.
THE NEXT BREAKFAST IS COMPLETELY INEDIBLE.


ROBOT
We should be leaving soon, Supervisor...


IT ALL COMES TO A HEAD OUT ON ONE OF THE INSPECTIONS.
WHEN YET ANOTHER CONSTRUCTION ROBOT EXPLODES IN FRONT
OF HIS EYES, SUGIOKA DECIDES ENOUGH IS ENOUGH.
HE BLOWS HIS WHISTLE AT THE ROBOT.


SUGIOKA
Hold it! Hold it!


THE ROBOT STOPS.


SUGIOKA
I've had enough of you making a fool of me!
H much of this crap do think I'm going to take?!


HE BRANDISHES A MONKEY WRENCH, DRIPPING WITH WHAT LOOKS LIKE
THE REMAINS OF THAT MORNING'S BREAKFAST.


ROBOT
Because the rainy season will soon be here,
I have ordered all robots to work at maximum output.

SUGIOKA
Wha... Who ordered you to do that?!

ROBOT
Losses have increased slightly,
but construction has been greatly speeded up.
Please be happy, Supervisor.

SUGIOKA
Increased slightly... How much is "slightly"?!

ROBOT
Today's losses: 20. Yes.
Tomorrow's expected losses: 24. Yes.

SUGIOKA
There's no way I'm just going to stand here and
let you keep shredding our robots!
Now listen to me and listen good, you dumb sonovabitch robot!
You are ordered to cease construction.
You're to stop immediately. You got that?!


HE BACKS UP HIS WORDS WITH AN ENTHUSIASTIC SWINGING OF THE
WRENCH, WHICH SLIPS FROM HIS HANDS AND GOES FLYING OFF
SCREEN. HE LOOKS DOWN AT HIS NOW EMPTY HAND AND REALIZES
HE'S THROWN AWAY HIS ONLY WEAPON.


ROBOT
The order you have just given is classified as
an obstacle to construction.
Your clearance to command me is now void.

SUGIOKA
Shut up!! I'm telling you to stop, you stupid robot!

ROBOT
All obstacles to construction must be removed. Yes.

SUGIOKA (TURNING VERY PALE)
Removed...?


THE ROBOT'S ARM BEGINS TO SPARK AND SWELL. SUGIOKA TURNS
AND RUNS JUST AS THE ARM TURNS INTO A WRECKING BALL AND
LAUNCHES AFTER HIM. IT STRIKES HIM FROM BEHIND, KNOCKING
HIM SENSELESS.
NEXT DAY, ANOTHER INEDIBLE BREAKFAST.
SUGIOKA SITS AT THE TABLE, WOUNDED FROM THE ROBOT'S ATTACK.


ROBOT
From this day forward, your on-site inspections are
cancelled permanently. Yes.


THE ROBOT WALKS OUT. THE CONSTRUCTION CONTINUES.
SUGIOKA WATCHES FROM HIS ROOM, AS THE ROBOTS ATTEMPT
TO BUILD UP THE CITY AS FAST AS IT COLLAPSES.


SUGIOKA
Madness...


THE ROBOT APPROACHES SUGIOKA'S ROOM, CARRYING WITH IT A TRAY
WITH HIS "BREAKFAST". HE OPENS THE DOOR AND WALKS IN, BUT
THE ROOM APPEARS TO BE EMPTY. ALL IT CAN SEE IS THE EMPTY
BREAKFAST TABLE, UPON WHICH THE CHAIR IS PLACED.


ROBOT
Good morning, Supervisor.
I have brought you your breakfast.


IT LOOKS AROUND FOR SUGIOKA, CONFUSED.
SUDDENLY, WITH A CRY, A PIPE IS SWUNG DOWN FROM THE CEILING,
SMASHING THE ROBOT IN THE FACE. IT TUMBLES OVER, SPARKING.


SUGIOKA (UP IN THE CEILING)
It worked!


NO TIME TO CELEBRATE, THOUGH. THE DOOR'S CLOSING.
HE HASTILY JUMPS DOWN AND GRABS THE FOOD TRAY, JAMMING THE
DOOR OPEN WITH IT. HE TURNS AS THE ROBOT SPEAKS, TRYING TO
RAISE ITSELF OFF THE FLOOR.


ROBOT
Even if I am destroyed, construction will never cease. Yes.
There will be no changes.
We must complete by... due-date... Yes.. yes...


WITH A SCREAM, SUGIOKA BRINGS THE PIPE DOWN ONTO THE ROBOT'S
HEAD, SMASHING IT TO PIECES. HE DOES IT AGAIN AND AGAIN,
SCREAMING AS HE DOES.


SUGIOKA
God damn you! You bastard!!!


THE ROBOT FINALLY EXPLODES, AND SUGIOKA COLLAPSES AGAINST
THE WINDOW. HE TURNS AND LOOKS OUT ON THE ROBOTS, STILL
BUILDING THE CITY DESPITE HIS VICTORY.


SUGIOKA
It's no use. Those stupid things are still working...
Yeah, of course. He was just a terminal, after all.
They won't stop unless I shut down the main core completely!


HE GOES TO THE ROBOT'S REMAINS AND PICKS UP THE POWER CABLE
THAT CONNECTED IT TO THE CENTRAL COMPUTER.


SUGIOKA
This cable should lead me there...


HE LEAVES THE ROOM, PIPE IN HAND.
SECONDS AFTER HE'S GONE, A VIDEO MONITOR SPRINGS TO LIFE...


MONITOR
Emergency! Priority one message from headquarters!
Sometime earlier today, another coup d'etat occured
in the new Aloana Republic.
The new government has been restored,
and Project 444 has been reinstated!
Repeat, Project 444 has been reinstated!


SUGIOKA STUMBLES DOWN THE HALL, CURSING TO HIMSELF. IF HE'S
HEARD THE MESSAGE, HE'S WELL BEYOND CARING AT THIS POINT.


MARUYAMA (OVER THE MONITOR)
Tsutomu Sugioka. It's me, Maruyama.
Sugioka! It's me! Do you read me?
Come in! Sugioka...!


SUGIOKA, ARMED WITH HIS PIPE, RIDES AN UNDULATING CABLE INTO
THE HEART OF THE CITY...

FADE TO BLACK.

EPILOGUE. SACHI, CHICHIRONE, AND GUIDO RETURN.


THE END


CREDITS

(Note: Some credits may have been accidently deleted from
this listing. If any inaccuracies exist, I appologize.)

A Haruki Kadokakawa Production
Original Story by
Masao Maruyama & Rin Taro


<LABYRINTH * LABYRINTOS>

CHARACTER DESIGN: Atusko Fukushima
ART DESIGN: Yamako Ishikawa
BACKGROUNDS: Masayoshi Banno Nobuo Yamakawaw
Yoko Nagashima Haku Production


<THE RUNNING MAN>

CHARACTER AND ART DESIGN: Yoshiaki Kawajiri
MECHANICAL DESIGN: Takashi Watabe & Satoshi Kumagaya
ORIGINAL PICTURE: Shinji Otsuku Nobumasa Arakawa
Toshio Kawaguchi Kongo Ikehata
ART DIRECTOR: Katsushi Aoki
BACKGROUNDS: Yuji Ikehata


<THE ORDER TO CEASE CONSTRUCTION>

CHARACTER DESIGN: Katsuhiro Otomo
ART DESIGN: Takashi Nakamura
ORIGINAL PICTURE: Koji Morimoto Mimiko Sato
Hiroyuki Yokoyama Studio Mukuo


ANIMATION
Yutaka Okamaura Wakako Ueda
Chitama Kawajiri Yagi Genki
Shigeru Ikeda Masaki Takei
Jiro Kanei Yusuke Takahashi

ANIMATION CHECK
Kimiko Murakami
Motoko Hiraishi
Tadashi Ozawa

ASSOCIATE ANIMATION
Studio Boke' & Nakamura Productions

FINAL ANIMATION CHECK
Michiko Nishiaki
Yuki Hisada
Toshiko Okimoto

SPECIAL EFFECTS
Shigeji Takafuji

VOICES
Hideko Yoshida
Masukazu Tsukayama
Yu Mizushima
Iemasu Yayu Joji Yanami
Hirashi Otake Bancho Ginga
Yusaka Okura Kazumi Tanaka


LABYRINTH * LABYRINTOS
Written and Directed
by
Rin Taro


THE RUNNING MAN
Written and Directed
by
Yoshiaki Kawajiri


THE ORDER TO CEASE CONSTRUCTION
Written and Directed
by
Katsuhiro Otomo


PRODUCTION STUDIO
Project Team Argos
Madhouse

Produced by Kadokawa Publishing
in association with Kadokawa Films
(c) 1987


ENGLISH TRANSLATION

LABYRINTH * LABYRINTOS: Daisuke Enomoto
THE RUNNING MAN: Daisuke Enomoto & Neil Nadelman
THE ORDER TO CEASE CONSTRUCTION: Tsune Hirasawa & Neil Nadelman

Final English Composition by Neil Nadelman

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